The Musical The classical period of the musical coincided with the heyday of the Hollywood studios from the early thirties to the early fifties. The conventions of the integrated musical were tar fix in the Astaire--Rogers musicals made at RKO in the thirties and the explicate peaked at MGM in the forties and early fifties, near notably in films produced by Arthur Freed. Thomas Schatz has provided a serviceable definition of the integrated musical. `Rather than create a assertable --or at least plausible --world whose inhabitants find reasonable motives for faulting into song (rehearsals, shows, etc.
) the music itself seems to determine the attitudes, values and deportment of the headland characters. As the musical genre evolved it sacrificed plausibility for natural register logic, steadily expanding its range of narrative, visual and musical expression. The character of desegregation in the film musical lies not alone in the idea that the music and the dances, in particula...If you want to get a full essay, order it on our website:
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